Street Barricade 2
In response to my earlier post on Vernacular Geometry, Philadelphia artist Vince Romaniello sent some jpegs of video stills from around the city. (Thanks Vince!) These are as is and include titles. He calls them outtakes, and mentions that while he always keyed into these kinds of images, it wasn't until he started shooting videos of artists that he started collecting the stills.
Saturday, August 25, 2007
Friday, August 24, 2007
Movement Over Time
Present Tense is the two-person exhibition of paintings and works on paper at Siano Gallery in Old City. Sharing the grand exhibition space are two Philadelphia artists, Dave Foss and Michelle Marcuse. Both are active in Philadelphia's arts community: Foss is the executive director of the Da Vinci Art Alliance, which has a 76-year-long history; Marcuse teaches and provides workshops in various encaustic techniques in her Kensington studio.
For both artists, these current bodies of work represent shifts and new directions in their processes. In a brief talk at last night's opening, Foss spoke of his work, which was created in 2006-2007, as a departure from the staining and pouring of paint onto the surface that had been his metier for some time. For this body of work Foss returned to the brush, incorporating line into his colorful, layered, well-worked surfaces. Foss uses the web-like network of line in Immersion to provide order against the chaotic layers of paint, resulting in a sense of tension, perhaps referencing the shared title of the exhibition Present Tense.
Marcuse, well versed in numerous encaustic techniques, presents here a wide range of processes; what she speaks of as a new direction for her is the introduction of digital imagery into the paintings. The resulting imagery and combined processes both confront and draw the viewer in with apparitional allusions hiding in and around opaque and transluscent areas of pigmented wax. Marcuse captures the idea of the raw, ugly beauty of an urban life, working the wax to suggest layers of decay and corrosion. The digital imagery is often presented in muted earth tones with vibrant pinks or blues playing against it, as in Movement Over Time.
This exhibit of paintings and works on paper covers a lot of ground -- emotionally, formally and in the materiality of the work. Foss looks at existential, universal issues on large canvases. Using a smaller format,including a series of near-miniature monotypes, Marcuse studies the overlooked, the easily missed "small overlooked pieces" of her world. One need not have a personal acquaintance with the artists to gain a sense of the intent and purpose behind the work. A dialogue is evident between the two artists; working organic and intuitive against hard edge and geometric, perhaps working in balance and harmony, but each with a distinctive voice to assert some order or control over the elements in life that cannot be wrangled into submission.
August 23-September 22, 2007
First Friday: September 7 6:00-9:00 pm
309 Arch Street
Friday, August 17, 2007
Inspired by Joanne Mattera's recent blog postings of urban color and geometry photos, I'm putting my own photos of what I've come to think of as "vernacular geometry" out here. joannemattera.blogspot.com/
These were taken over the past few months in the Old City area of Philadelphia whilst on a gallery-hopping expedition with my buddy artist Michelle Marcuse. See her work at http://www.michellemarcuse.com. She's an artist working in encaustic and photo transfer, so we collected some other digital photos images of "vernacular" light.
Joanne says she's been snapping these kind of images for a long time, and I know I have. I figure other artists who do not work primarily in photography must be doing the same. I'm hoping others will post their "vernacular" imagery here as well.