Saturday, November 28, 2009
Tuesday, November 10, 2009
pam's big adventure
yet to be titled digital image pfarrell 2009
I've been meaning to see Roxy Paine's Maelstrom, installed on the Metropolitan Museum of Art roof sculpture garden. But as with many things in my life, these days, I am relying instead on the 'net (and Joanne Mattera and her blog) to provide a vicarious experience. Thanks Joanne!
Perhaps somewhat inspired by Maelstrom, the image above is the latest in a series of digital pieces I began early last spring and posted on my photo art blog. I've been alternating between trees and water, water and trees.I've been preparing several images from this series to have printed in a large format, and I'm heading to Philly's Silicon Gallery this week to avail myself of their 60" printers and digital printing expertise. Also along for this adventure will be my friend Randy Carone, who provides me invaluable technical advice and assistance. He also plays a mean slide guitar.
While I have a fair amount of printmaking experience from back in the day, this is my first foray into large format digital printing. Very exciting. I'm trying to suspend my expectations and just go with whatever happens. As my friend photographer John Carlano counseled, these larger images will be "different pictures." So, I'm off with that in mind...
Labels:
Joanne Mattera,
randy carone,
roxy paine,
silicon gallery
Sunday, November 1, 2009
Sue Katz: What's the Big Idea?
I met Sue Katz at the 3rd Annual Montserrat Encaustic Painting Conference in June, when I attended her presentation "What's the Big Idea?", which discussed content in art--her own, and that of a number of other artists. Sue is presenting "What's the Big Idea?" in an open forum that is part of her show with Jozan Treston at Gallery A3 in Amherst, Massachusetts. One of Sue's pieces from the show is below with a short statement. Check out the gallery link for more info.
SPIRALING OUT, 36"x66", encaustic on wood and metal, 2009, Sue Katz
Basically every found object in this piece is old and worn except for the panel with cream white and copper-colored encaustic - proportions aren't exactly two squares in a rectangle now - one member of my family's generations has died and another is declining - so out and into new directions - and so it goes - life keeps happening!
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